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Four months later, Julia posts something on the Internet along the lines of "You will look great with short hair" and asks those reading to send her the clippings. I am struck by the stealth tactic: flattery, and then request.
Julia has begun an investigation around hair and gender and the forms that tip the material and the sex towards and away from one another. I wonder if her fascination started with the woman in the barbershop in the desert or did it start before that? Will there be a through line? Before the class, she apprenticed with a shoemaker and made a singular shoe. After the class, she apprentices with a wig maker. She is gravitating towards the end of bodies to what avail?
Later Julia writes: " I started out only wanting to make wigs with Orthodox Jews, but then I decided to expand the project. Yesterday I had my first lesson with the wig-makers for the Metropolitan Opera. It was great. It is a lot like crocheting, but more tedious. I think I am getting the hang of it. I am going to work with a woman in Boro Park who styles wigs for the Orthodox women in that area as well. I am anticipating some kind of sculptural project coming out of this, but I am not sure exactly what that will look like. The topic is so loaded..."
Photograph by Julia Sherman