Experimental Graduate-Level Education for Women



The Anhoek School is an educational experiment. It investigates alternatives to traditional American education at a moment in time when many experimental schools have closed (Black Mountain School and Antioch College) or ceased to develop inventive and/or radical methodologies.

In short, The Anhoek School is an experimental all-women's graduate school located in Brooklyn, New York. The curriculum is based on cultural production (political, aesthetic, and theoretical). Classes are small (5 to 7 people). Tuition costs are mediated by a barter system; that is students labor for the school in exchange for classes.

SEE http://anhoekschool.org FOR CORE DATA

The 'mother site' (http://anhoekschool.org) contains:

0 Mission Statement
0 Course Descriptions
0 Campus Locations
0 Exchange Economy/ Tuition
0 Samples of Student Work
0 Student Podcasts




Sunday, November 8, 2009

Marfa Session of the Anhoek School Begins at the El Paso Airport


AH-Marfa '09 begins in front of the El Paso Airport, where the city has erected a 34-foot statue made of 18 tons of bronze. Four of the five students for this inaugural session have flown into the airport from Chicago, Providence, Los Angeles and New York City. The fifth is driving her uncle's truck from New Mexico.

The airport is formally calling this sculpture "The Equestrian." However, it was commissioned as and is referred to in the airport literature as a depiction of Don Juan Onate, a 17th century Spanish Conquistador, husband of the illegitimate granddaughter of Monteczuma, and first governor of New Mexico.

In October of 1598, a skirmish erupted when the occupying Spanish military demanded supplies essential to the Acoma people surviving the winter. The Acoma resisted; thirteen Spaniards were killed, and amongst them Don Juan Onate's nephew. In 1599, Onate retaliated; his soldiers killed 800 villagers. The remaining 500 women and children were enslaved, and by Don Juan's decree, the left foot of every surviving Acoma man over the age of twenty-five was amputated.

Eighty left feet were separated from the leg.

The left? Why the left?

Stacked or strewn?

In Espanola, New Mexico, at the Onate Monument and Visitor Center, the right foot of another Don Onate statue was removed with an electric saw. The thin scar of the repairing weld is barely detectable- the foot, starfish-like, appears regenerated. The events that set the cut and weld in motion occurred over 400 years ago, but like a wake, these incidents reverberate, pulsing towards the shore of the Present.

Photograph by Julia Sherman (AH-Marfa '09)